Color blocking is the next step in my process. So, after the rough charcoal sketch, I begin to lay down color. At this point, it does not matter if I get the exact color or not, I am just trying to block in the basic colors. The painting will be worked and re-worked with workable fix, allowing for layer upon layer of color (without the painting become a muddled mess). The directions of pastel strokes are varied and there is no blending. I am even testing colors for the Hulk's skin tone, seeing how they look upon the pastel board.
The process continued as I laid down color on the figure of the Hulk. At this point, I did not completely obliterate the charcoal under drawing so I could still see basic musculature. The color of the foreground looks more orange than yellow of the above picture. I guess I will have to be more consistent with light and flash when I take these photos.
Next, I began to blend the colors, to smooth out the rough pastel strokes. I also switched from the harder Rembrandt to the softer Unison pastels. From here on out, most of the work will be done with the Unison sticks. I have some pastel pencils that I hope will allow me to do fine detail (on top of a layer of workable fix). This is something I have never tried before as it was not necessary for the landscapes I had painted previously. I am curious to see if I can pull this off.
When it stops raining, I will take this out side and hit it with the workable fix. I hope to begin layering the details soon.
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